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List of Plates ix List of Figures xi List of Tables xvi Notes on Contributors xviii Foreword: Redefining the Mainstream with Rock Art xxix Margaret W.Conkey 1 Research Issues and New Directions: One Decade into the New Millennium 1 Jo Mc Donald and Peter Veth Part I Explanatory Frameworks: New Insights 15 2 Rock Art and Shamanism 17 J.A case keeps your cameras safe and protected, and also leaves shooting from the hip as convenient as it should be.Add a fancy strap so you won’t have to think about dropping your camera anymore!Whitley Part XI Rock Art in the Digital Age 625 35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies 627 Liam M. Gunn 36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs 644 Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz, and Corey Toler-Franklin 37 Engaging a New Digital Citizenry 660 Michael Ashley and Cinzia Perlingieri Index 670Jo Mc Donald’s career has combined cultural heritage management and rock art research.She is currently Chair and Director of the Centre for Rock Art Research and Management at the University of Western Australia.Trustwave does not believe that the backdoor was put in for nefarious purposes, but was more likely the result of quick-and-dirty development practices.“An interesting possibility is that this bug is the result of a backdoor entered into the Desktop API to permit a particular program written by the vendor to access the Desktop API without user interaction,” the company said in a statement.“Indeed, this possibility seems even more likely when you consider that the Desktop API provides for an undocumented client name identifier.”Ironically, the actual Skype Dashboard widget does not use the backdoor, despite using the name that would give it access without notification.“This raises the possibility that the backdoor is the result of a development accident which left the code behind accidentally during the process of implementing the Dashboard plugin,” the company said.

The old church and the rest of the churches in the area form the Rock Monastery St. Therefore, the rock monastery is completely different from the other monasteries in Bulgaria.Borrero Part VII The Mediating Role of Rock Art 399 23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance 401 Ursula K.Frederick 24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia 420 Paul S. Taçon, June Ross, Alistair Paterson, and Sally May Part VIII Rock Art, Identity, and Indigeneity 437 25 Rock Art, Identity, and Indigeneity 439 Robert Layton 26 Shamanism in Indigenous Context: Understanding Siberian Rock Art 455 Andrzej Rozwadowski 27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia 472 Valda Blundell and Donny Woolagoodja Part IX Rock Art Management and Interpretation 489 28 Rock Art and the UNESCO World Heritage List 491 Nuria Sanz 29 Safeguarding a Fragile Legacy: Managing u Khahlamba-Drakensberg Rock Art 515 Aron Mazel 30 Managing Rock Art Sites 532 Valerie Magar 31 From Discovery to Commoditization: Rock Art Management in Remote Australia 546 Peter Veth Part X Dating Rock Art: Technological Advances and Applications 563 32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record 565 Karen L. Rowe 33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results 583 Jean Clottes and Jean-Michel Geneste 34 In Suspect Terrain: Dating Rock Engravings 605 David S. As a result, famous monastery-donors were the kings Ivan Assen II, Ivan Alexander and many other representatives of royal families whose portraits are still preserved nowadays. During the whole period of Second Bulgarian Kingdom, the monastery had developed strong relationships with the kings of Tarnovo.